% -*- mode: LilyPond ; coding: utf-8 -*- \version "2.20.0" \header{ title = "Gavotte des montagnes noires" subtitle = "" piece = "Gavotte" % instrument = "Piano" composer = "eNoz" copyright = "Creative Commons Attribution-NonCommercial-ShareAlike 4.0" source = "Own Work" % opus = "2000" lastupdated = "2021-03-01" enteredby = "eNoz" maintainer = "eNoz" style="Gavotte" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { \hspace #5 Une partition du site \with-url #"http://www.partitions.bzh" { \teeny www. Partitions \teeny .bzh gravée à l’aide de \with-url #"http://www.LilyPond.org" { \teeny www. LilyPond \teeny .org } }} \line { \small \italic { Sheet music from \with-url #"http://www.celticscores.com" { \teeny www. CelticScores \teeny .com engraved using \with-url #"http://www.LilyPond.org" { \teeny www. LilyPond \teeny .org }} }} \line { \teeny { Creative Commons Attribution-NonCommercial-ShareAlike 4.0 • \with-url #"https://creativecommons.org/licenses/by-nc-sa/4.0/" https://creativecommons.org/licenses/by-nc-sa/4.0/ } } \line{ \vspace #1.5 \general-align #Y #DOWN { \epsfile #X #10 #"by-nc-sa.eu.eps" } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score{ \new PianoStaff << \set PianoStaff.connectArpeggios = ##t %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \new Staff = "haut" { \set Staff.midiInstrument = #"acoustic grand" \time 12/8 \key g \minor \tempo "Vivant" 4. = 165 \clef "G" r4. r4 8~4. 4. ~ | 4 8~4. 4. 4. | % r4. r8. 8.~4. 4. ~ % | % 8. 8.~4. 4. 4. % | r4. r4 8~4. 4. ~ | 4 8~4. 4. r4. | r4. r4 8~4. 4. ~ | 4 8~4. 4. 4. | r4. r4 8~4. 4. ~ | 4 8~4. 8 r4 r4. | \clef "G^8" \break % MD : FREE STYLE r1. | r4. r4. r4. \acciaccatura{a'''16} bes'''4 a'''8 | g'''4. r4. r2. | r2. a''' \trill | bes'''4. r4. r2. | r4. r4. r4. \acciaccatura{a'''16} bes'''4 \appoggiatura{a'''16 [bes''']} a'''8 | g'''4. r4. r2. | r1. | r1. | r4. r4. r4. \acciaccatura{a'''16} bes'''4 a'''8 | g'''4. r4. r2. | r2. a''' \trill | bes'''4. r4. r2. | r4. r4. r4. a'''8 (bes''' d'''' | g'''4.) r4. r2. | r1. | \clef G \transpose c c' { % MD : OSTINATO \break \repeat volta 2 { \appoggiatura{g'16 [d']} g4 d'8 g'4 g8 d'4 g'8 g4 d'8 | g'4 g8 d'4 g'8 f'4 d'8 c'4 bes8 | g4 d'8 g'4 g8 d'4 g'8 g4 d'8 | g'4 g8 d'4 g'8 f'8 g'8 f'8 d'8 c'8 bes8 | g4 d'8 g'4 g8 d'4 g'8 g4 d'8 | g'4 g8 d'4 g'8 f'4 d'8 c'4 bes8 | g4 d'8 g'4 g8 d'4 g'8 g4 d'8 | } \alternative { {g'4 g8 d'4 g'8 f'8 r4 r4.} {g'4 g8 d'4 g'8 f'8 r4 f8 \staccato f \staccato f \staccato } } | % THEME 1 \break \repeat volta 2 { g4 \p bes8 a4 \prall g8 a4 bes8 g4 bes8 | a4 \prall g8 a4 bes8 d'4 c'8 d'4. | g4 bes8 a4 \prall g8 a4 bes8 g4. | bes8 (a8 g8 a4) bes8 d'4 c'8 d'4. | g4 bes8 a4 \prall g8 a4 bes8 g4 bes8 | a4 \prall g8 f4 a8 g4. g4. | g4 bes8 a4 \prall g8 a4 bes8 g4. | bes8 (a8 g8 f4) a8 g4. g4. | } % THEME 2 \break g4 a8 bes4 g8 a4 bes8 c'4. | d'4 ees'8 d'4 c'8 bes4 a8 g4. | g4 a8 bes8 a g a4 bes8 c'4. | d'4 ees'8 d'4 c'8 d'4. d'4. | g4 a8 bes4 g8 a4 bes8 a4 c'8 | bes4 a8 g4 f8 g4. g4. | g4 a8 bes8 a g a4 bes8 a4. | g8 a g f4 a8 g4. g4. | g4 a8 bes8 a g a4 bes8 c'4 c'8 | d'4 ees'8 d'4 c'8 bes4 a8 g8 d' bes | g4 a8 bes8 a g a4 bes8 c'4 c'8 | d'4 ees'8 d'4 c'8 d'4. d'4. | g4 a8 bes8 a g a4 bes8 a4 c'8 | c'8 bes a8 g4 f8 g4. g4. | g4 a8 bes8 a g a4 bes8 a4. | g8 a g f4 a8 g4. g4. | % THEME 3 \break \repeat volta 2 { g4 \mf g8 bes4 g8 bes4 d'8 c'4. | g4 g8 c'4 g8 bes4. g4. | g4 g8 bes4 g8 g8 bes d'8 c'4 g8 | g4 g8 c'4 g8 bes4. g4. | g4 g8 bes4 g8 bes4 d'8 c'4 g8 | g4 g8 c'4 g8 des'8 (c' bes g4.) | g4 g8 bes4 g8 bes4 d'8 c'4. | f8 (f fis g4) bes8 g4. g4. | g4 \f g8 bes4 g8 bes4 d'8 c'4 g8 | g4 g8 c'4 g8 bes4. g4. | g4 g8 bes4 g8 g8 bes d'8 c'4 g8 | g8 \staccato g \staccato g \staccato c'8 g c' bes4. g4. | g4 g8 bes4 g8 bes4 d'8 c'4 g8 | g4 g8 c'4 g8 des'8 (c' bes) des'8 (c' bes) | g4 g8 bes4 g8 bes4 d'8 c'4. | f8 ( fis g bes g bes c' bes c' des' c' bes) } % THEME 1 bis \break g4 \p bes8 a4 \prall g8 a4 bes8 g4 bes8 | a4 \prall g8 a4 bes8 d'4 c'8 d'4. | g4 bes8 a4 \prall g8 a4 bes8 g4. | bes8 (a8 g8 a4) bes8 d'4 c'8 d'4. | \crescTextCresc g4 \< bes8 a4 \prall g8 a4 bes8 g4 bes8 | a4 \prall g8 f4 a8 g4. g4. | g4 bes8 a4 \prall g8 a4 bes8 g4. | bes8 (a8 g8 f4) a8 g4. g4. \! | } \transpose c c'' { g4 \f bes8 a4 \prall g8 a4 bes8 g4 bes8 | a4 \prall g8 a4 bes8 d'4 c'8 d'4. | g4 bes8 a4 \prall g8 a4 bes8 g4. | bes8 (a8 g8 a4) bes8 d'4 c'8 d'4. | g4 bes8 a4 \prall g8 a4 bes8 g4 bes8 | a4 \prall g8 f4 a8 g4. g4. | g4 bes8 a4 \prall g8 a4 bes8 g4. | bes8 (a8 g8 f4) a8 g4. 4. \fermata \bar "|." | } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \new Staff = "bas" { \set Staff.midiInstrument = #"acoustic grand" \clef bass \key g \minor 1. ~ | 1. | 1. ~ | 2.~4. 4. | 1. ~ | 1. | 1. ~ | 2. r2. | % FREE STYLE 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 8 r4 r4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 8 r4 r4. | % OSTINATO 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | % 1 4 8~4. 8 r4 r4. | % 2 4 8~4. 8 r4 r4. | % THEME 1 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | % THEME 2 4.~4 8~4. 4.~ | 4. r4. r4. 4. | 4.~4 8~4. 4.~ | 4. r4. 4. 4. | 4.~4 8~4. 4.~ | 4. r4. 4. r4. | 4.~4 < ees, ees>8~4. 4. | r2. 4. 4. | 4.~4 8~4. 4.~ | 4. r4. r4. 4. | 4.~4 8~4. 4.~ | 4. r4. 4. 4. | 4.~4 8~4. 4.~ | 4. r4. 4. r4. | 4.~4 < ees, ees>8~4. 4. | r2. 4. 4. | % THEME 3 4.~4 8~4. 4.~ | 4. r4. 4. r4. | 4.~4 8~4. 4.~ | 4. r4. 4. 4. | 4.~4 8~4. 4.~ | 4. r4. 4. r4. | 4.~4 8~4. 4. | r1. | 4.~4 8~4. 4.~ | 4 8~4. 4. 4. | 4.~4 8~4. 4.~ | 4. r4. 4. 4. | 4.~4 8~4. 4.~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. | r1. | % THEME 1 bis 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. | 4.~4 8~4. 4. ~ | 4 8~4. 4. 4. \fermata | } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% >> \layout { } \midi { } }